Much as I love color and drawing, it’s composition that gives me the most satisfaction. I have no idea if I’m doing it “right”, but I sure enjoy positioning the image elements, moving them about (sometimes by seemingly tiny amounts), erasing and re-shaping them. When a scene feels “ready”, I can find all kinds of balances and symmetries in it, very pleasing. Frequently I’ll try to echo the compositional balances with color balances. I’m certainly not always successful, but luckily I get a lot of fun just out of the attempt.
I’ve always gone with these four basic rules which are a distilled version of Edgar Payne’s, per a previous poster. Horizon (either high or low); golden ratio where the focus is on one of the four key points when a canvas in divided into thirds; focal point where a viewer’s eye is drawn into a point via angles; and off balance where the contrast between large and small focuses a viewer. On my square works, composition looks like this …