I really don’t see the point of designing a second mascot – just like we don’t need 2 names and 2 icons for Krita, it’s just bad for promotion purpose.
As far as I can tell, Kiki is moderately popular around CJK region. Many artists who don’t even use Krita know about Kiki and they draw fanarts of her. The mascot has nothing to do with Krita’s popularity, or rather I’d say Kiki has been doing a great job attracting people’s attention before they gave Krita a try in the first place.
The popularity of Krita was poor in China for many reasons. But the biggest reason was simply the absolute domination of PS/SAI among manga/anime artists. However, Krita has been improving quickly, and so does its popularity. More and more artists are switching to Krita. Many Chinese companies have also switched to Krita because of PS being too expensive nowadays. Krita now has the reputation of being easy to draw with, especially from experienced artists.
Kiki has a very strong anime style. If you want a more human-like version of Kiki, I’m actually trying to design one.
As the current designer/artist of Kiki, I have been trying to avoid commenting on this because of conflict of interest, and it’s impolite to comment on other artist’s work for their merit.
It’s totally fine for you to use your OC on your own social network. But when it comes to represent a public project of common interest, your contribution must meet a certain level of quality before it become acceptable to others.
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我觉得为一款软件设计第二个吉祥物是没有必要的,这就好像我们不需要为 Krita 起两个名字和两个图标一样。过多的吉祥物对宣传其实是适得其反。
Kiki 在中日韩地区是有一定的人气的,许多不使用 Krita 的画师都知道 Krita 有一个可爱的机娘吉祥物,甚至为她绘制二次创作。吉祥物本身与 Krita 的人气关系不大,实际上 Kiki 在吸引潜在用户这一点上已经做得相当不错了。
Krita 在中国的使用率低主要与盗版横流的历史有关,PS 和 SAI 在大陆有着绝对优势的市场份额。但随着 Krita 的改进,越来越多画师开始转用 Krita,不少企业也通过改用 Krita 来避免 Adobe 高昂的价格。Krita 在大陆已经有绘画好用的口碑了,尤其是对老手画师而言。
Kiki 的画风明显是日系动漫风格主导,如果你想要更加人类化的设计,我恰巧也在设计这么一个版本。
作为 Kiki 的现任画师,出于利益冲突的考虑,我其实一直试图避免在这件事上发表评论,而且对其他画师的作品评头论足也是不礼貌的。
如果你只是在自己的社交媒体账号上用你自己设计的板娘那当然没所谓,但是如果你想用自己的作品来代表一个承载着众多人期待的公共项目的话,那么你的作品必须首先要达到一定的水平才能让别人接受。